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Dali: The Paintings
More than a catalogue raisonne, this book contextualizes Dali’s oeuvre and its meanings by examining contemporary documents, from writings and drawings to material from other facets of his work, including ballet, cinema, fashion, advertising, and objets d’art. Without these crutches to support analysis, the paintings would simply be a series of many images.
The study is divided into two parts: the first examines Dali’s beginnings as an unknown artist. We witness how the young Dali deployed all the isms―Impressionism, Pointillism, Cubism, Fauvism, Purism and Futurism―with playful mastery, and how he would borrow from prevailing trends before ridiculing and abandoning them. The second part unveils the conclusions of Dali’s lifelong inquiries, as well as the great legacy he left in works such as Tuna Fishing (1966/67) or Hallucinogenic Toreador (1970). It includes previously unpublished homages to Velazquez or Michelangelo, painted to the same end as the variations on past masters done by his contemporary, Picasso.
Hardcover, 21 x 26 cm, 3.46 kg, 752 pages
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- Name: Dali: The Paintings
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- Name: Dali: The Paintings
- Description: This weighty volume is the most complete study of Dalν’s painted works ever published
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ExtendedDescription:
At the age of six, Salvador Dali (1904–1989) wanted to be a cook. At the age of seven, he wanted to be Napoleon. “Since then,” he later said, “my ambition has steadily grown, and my megalomania with it. Now I want only to be Salvador Dali, I have no greater wish.” Throughout his life, Dali was out to become Dali: that is, one of the most significant artists and eccentrics of the 20th century.
More than a catalogue raisonne, this book contextualizes Dali’s oeuvre and its meanings by examining contemporary documents, from writings and drawings to material from other facets of his work, including ballet, cinema, fashion, advertising, and objets d’art. Without these crutches to support analysis, the paintings would simply be a series of many images.
The study is divided into two parts: the first examines Dali’s beginnings as an unknown artist. We witness how the young Dali deployed all the isms―Impressionism, Pointillism, Cubism, Fauvism, Purism and Futurism―with playful mastery, and how he would borrow from prevailing trends before ridiculing and abandoning them. The second part unveils the conclusions of Dali’s lifelong inquiries, as well as the great legacy he left in works such as Tuna Fishing (1966/67) or Hallucinogenic Toreador (1970). It includes previously unpublished homages to Velazquez or Michelangelo, painted to the same end as the variations on past masters done by his contemporary, Picasso.
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